note row造句
例句與造句
- On the one hand Schoenberg rejected traditional twelve-note rows.
- Three four-note chords, musicologist Neil Butterworth writes, spell out the 12-note row on two trumpets and two trombones.
- In the first etude, " For the Left Hand Alone, " a spare six-note row yields to increasing intensity.
- This series is the inversion of the 24-note row developed originally for " Himmelfahrt ", with the first note recurring at the end.
- "The entire opera is based on a 12-note row which is used not serially but tonally, " he wrote in the program notes.
- It's difficult to find note row in a sentence. 用note row造句挺難的
- In a noted row with Universal, the distributor, Gilliam shortened the film as required by contract but balked when asked to provide a happy, or happier, ending.
- It consists of a 12-note row, but he has constructed aggregates around each note that allow him to shift from chord to chord through common tones, in line with a bedrock principle of traditional tonal harmony.
- The work was composed for Arnold Sch鰊berg's 50th birthday, and it is his " name " that Berg creates a 12-note row out of, prefixing it by the'missing'notes of the chromatic scale.
- The third and fourth fugues are disposed similarly to the first pair : a three-part fugue for the strings, followed by a double fugue for the piano and the winds, now with the note rows of the subjects inverted.
- Ashley s goal was to create a kind of kaleidoscope of very rapidly changing harmonies . The music uses a 36-note row with a combination of half-steps and whole-steps that produces dissonant sounds for any combination of pitches.
- He describes how he contrasts " the beautiful old harmonies of yesterday " used to represent the Prince's dreamworld with " serially organized military music, with a predominance of fanfare-like fourths and fifths in the twelve-note row " used for the waking world.
- A 12-note row is apparent at the opening of the first movement, though Martin treats it as he does any other thematic or motivic material : it appears in various transpositions ( all twelve, if fragmentary statements are included ) but is never used in inversion, retrograde or retrograde-inversion forms, and is by no means present throughout the work.
- Each of these chords contained four notes of the twelve-note row upon which the work is based . " When spelled out horizontally, " they supplied him " with various versions of a more lyrical discourse . " This " skeletal frame of the row, " he told Diamond and Chavez, was the " primary meaning " and as such denoted the area which would be explored in the course of the piece . " The subsequent treatment, " he explained, " seeks out other implications connotations that come in a flash or connotations that the composer himself may gradually uncover . " From there, the listener was " free to discover his or her own connotative meanings, including perhaps some not suspected by the author.